fic: iTunes meme
Feb. 12th, 2009 12:36 amTitle: iTunes meme
Rating: PG-13
Pairing: Andy/Miranda
Prompt(s): iTunes meme, posted originally by
kitnkabootle
Length/Word Count: 5 drabbles
Summary: 5 short pieces about Andy/Miranda, inspired by everything from The Boss to old-school French rap
Disclaimer: The characters are definitely not mine.
A/N: Mine are really weird. I didn't mess with them after the song was over, except I had to fix a couple of typos and a place where the words sounded out of order when I went back and read.
1. Pick a character, pairing, or fandom you like.
2. Turn your music player on and turn it on random.
3. Write a drabble/ficlet related to each song that plays. You only have the length of the song to finish the drabble; you start when the song starts and stop when it's over. No lingering afterwards!
4. Do five of these and post them.
1) “Cry, Cry, Cry” by Johnny Cash
Ever since the papers came out, she’s felt everyone’s eyes on her. Through the glass door of her office, peering into her car a second or two after she lowers herself inside, everywhere. Everyone always looks at her. She should be used to it. But looking with eyes averted is very different from a frank stare. She fucked Andy Sachs? Really?
Stephen emailed her last week. Two words: “Any regrets?” Her fingers shook as she pressed delete.
2) “Come What May” from Moulin Rouge, sung by Ewan McGregor and Nicole Kidman
They both love the Winter, because Miranda is always cold and Andy likes having to warm her up. Sometimes they look at each other with doubt, not because they’re skeptical of each other’s intentions but as if they can’t believe they both showed up in the same dream.
For months they shared a Hell, and they didn’t lay eyes on each other once. No matter how smart they were or how good at their jobs or how much Miranda tried to raise their children better or how much Andy reached out to her friends, they were sliding slowly down the same pit. Their usual touchstones eroded beneath them.
Then it got cold outside, too cold outside to ignore their insides any longer, and their orbits met.
3) “All They Ever Do is Talk” by Earlimart
Cassidy asked the question. “Whatever happened to Andy, Mom?”
She meant it to hurt. She was puzzling out her mother an iota at a time, learning her buttons, claiming control. She knew how Miranda would hear that question, of all possible inquiries and lines of thinking.
There wasn’t a response, unless you count a coffee mug snatched from the table, a robe pulled more tightly, a storm leaving the room and taking weeks to come back completely.
They were in the same room when it happened, at the table, eating their twentieth silent breakfast since the day Cassidy opened her mouth. Miranda said flatly, “She left.”
4) “Downbound Train” by Bruce Springsteen
Andy knew she had Miranda after she handed her the Harry Potter manuscript. Miranda had owned her for weeks, and she’d finally figured out how to get a bit of herself back. If she owned her owner she was technically, technically in charge of herself again.
This logic could only take her so far. It’s been a year, and neither of them have had any control over the other since Andy got her new job at the Mirror. But she still hears Miranda’s requests, she still hurries in the mornings like she lacks any other option, she still dresses for Miranda and her eyes are still defiant.
5) “La Musique Adoucit Les Moeurs” by MC Solaar
They are barreling toward satisfaction. They will stop at nothing. They are wearing all their clothes. They are shy around each other. They are going to get over it. They are going to get over wearing trousers, they are going to get over bashfulness, they are going to get over manners and propriety and anything that would stop them.
Listen. To yourself, to them, to voiceovers and stilted dialogue. It’s all going to come out choppy or muffled and altogether wrong, and bodies will matter far more in the end.
Bodies, even in death, will win. Bodies wear the fashion. Bodies respond to music. Bodies meet in the middle of age gaps and economic disparities and faulty diction. Bodies do the traveling. Bodies carry our words around, extend our fingers, decide the speed at which we walk towards one another, the speed at which we walk away.
Rating: PG-13
Pairing: Andy/Miranda
Prompt(s): iTunes meme, posted originally by
Length/Word Count: 5 drabbles
Summary: 5 short pieces about Andy/Miranda, inspired by everything from The Boss to old-school French rap
Disclaimer: The characters are definitely not mine.
A/N: Mine are really weird. I didn't mess with them after the song was over, except I had to fix a couple of typos and a place where the words sounded out of order when I went back and read.
1. Pick a character, pairing, or fandom you like.
2. Turn your music player on and turn it on random.
3. Write a drabble/ficlet related to each song that plays. You only have the length of the song to finish the drabble; you start when the song starts and stop when it's over. No lingering afterwards!
4. Do five of these and post them.
1) “Cry, Cry, Cry” by Johnny Cash
Ever since the papers came out, she’s felt everyone’s eyes on her. Through the glass door of her office, peering into her car a second or two after she lowers herself inside, everywhere. Everyone always looks at her. She should be used to it. But looking with eyes averted is very different from a frank stare. She fucked Andy Sachs? Really?
Stephen emailed her last week. Two words: “Any regrets?” Her fingers shook as she pressed delete.
2) “Come What May” from Moulin Rouge, sung by Ewan McGregor and Nicole Kidman
They both love the Winter, because Miranda is always cold and Andy likes having to warm her up. Sometimes they look at each other with doubt, not because they’re skeptical of each other’s intentions but as if they can’t believe they both showed up in the same dream.
For months they shared a Hell, and they didn’t lay eyes on each other once. No matter how smart they were or how good at their jobs or how much Miranda tried to raise their children better or how much Andy reached out to her friends, they were sliding slowly down the same pit. Their usual touchstones eroded beneath them.
Then it got cold outside, too cold outside to ignore their insides any longer, and their orbits met.
3) “All They Ever Do is Talk” by Earlimart
Cassidy asked the question. “Whatever happened to Andy, Mom?”
She meant it to hurt. She was puzzling out her mother an iota at a time, learning her buttons, claiming control. She knew how Miranda would hear that question, of all possible inquiries and lines of thinking.
There wasn’t a response, unless you count a coffee mug snatched from the table, a robe pulled more tightly, a storm leaving the room and taking weeks to come back completely.
They were in the same room when it happened, at the table, eating their twentieth silent breakfast since the day Cassidy opened her mouth. Miranda said flatly, “She left.”
4) “Downbound Train” by Bruce Springsteen
Andy knew she had Miranda after she handed her the Harry Potter manuscript. Miranda had owned her for weeks, and she’d finally figured out how to get a bit of herself back. If she owned her owner she was technically, technically in charge of herself again.
This logic could only take her so far. It’s been a year, and neither of them have had any control over the other since Andy got her new job at the Mirror. But she still hears Miranda’s requests, she still hurries in the mornings like she lacks any other option, she still dresses for Miranda and her eyes are still defiant.
5) “La Musique Adoucit Les Moeurs” by MC Solaar
They are barreling toward satisfaction. They will stop at nothing. They are wearing all their clothes. They are shy around each other. They are going to get over it. They are going to get over wearing trousers, they are going to get over bashfulness, they are going to get over manners and propriety and anything that would stop them.
Listen. To yourself, to them, to voiceovers and stilted dialogue. It’s all going to come out choppy or muffled and altogether wrong, and bodies will matter far more in the end.
Bodies, even in death, will win. Bodies wear the fashion. Bodies respond to music. Bodies meet in the middle of age gaps and economic disparities and faulty diction. Bodies do the traveling. Bodies carry our words around, extend our fingers, decide the speed at which we walk towards one another, the speed at which we walk away.
no subject
Date: 2009-02-12 05:58 am (UTC)no subject
Date: 2009-02-12 06:29 am (UTC)no subject
Date: 2009-02-12 07:01 am (UTC)no subject
Date: 2009-02-12 07:00 am (UTC)no subject
Date: 2009-02-12 06:09 am (UTC)I love Andy's logic on #4. I was like, "O, poor bbz. No, just, no."
MC Solaar: that's what's up. No lie. I just listened to "Nouveau Western".
no subject
Date: 2009-02-12 07:01 am (UTC)And yeah, Andy's logic is so unhealthy.
no subject
Date: 2009-02-12 07:17 am (UTC)no subject
Date: 2009-02-12 05:11 pm (UTC)My idea of the backstory for the first piece (which I came up with AFTER the 2 minutes and 20 seconds of writing the piece were up) is a real bummer: after Andy leaves Miranda in Paris, they enter a short-lived relationship and are outed to the press just as they are breaking up. Really bad timing, huh? I'm not sure if I could bring myself to write something much longer about that.
no subject
Date: 2009-02-12 05:25 pm (UTC)I'm just saying.
no subject
Date: 2009-02-13 03:07 pm (UTC)no subject
Date: 2009-02-12 09:29 am (UTC)no subject
Date: 2009-02-12 05:14 pm (UTC)no subject
Date: 2009-02-12 12:44 pm (UTC)no subject
Date: 2009-02-12 05:11 pm (UTC)no subject
Date: 2009-02-12 12:49 pm (UTC)no subject
Date: 2009-02-12 05:14 pm (UTC)no subject
Date: 2009-02-12 02:27 pm (UTC)no subject
Date: 2009-02-12 05:22 pm (UTC)I wasn't trying to be (too terribly) self-deprecating when I said my stories were weird. Mostly, I was amused/confused by where my brain went with the last one. I had fun with these.
no subject
Date: 2009-02-12 02:39 pm (UTC)no subject
Date: 2009-02-12 05:23 pm (UTC)no subject
Date: 2009-02-12 03:16 pm (UTC)Okay, Miss Brilliant. These are all fantastic. The last one reads like a poem, completely unassuming and easily removed from the DWP universe as a standalone original piece.
The first I have to say was my all time favorite though. My goodness. *shakes fist* Stephen must die.
no subject
Date: 2009-02-12 05:24 pm (UTC)And yeah, Stephen's not too classy in #1.
no subject
Date: 2009-02-12 10:26 pm (UTC)no subject
Date: 2009-02-13 03:08 pm (UTC)no subject
Date: 2009-02-13 12:47 pm (UTC)no subject
Date: 2009-02-13 03:08 pm (UTC)no subject
Date: 2009-02-13 06:11 pm (UTC)no subject
Date: 2009-02-16 12:00 am (UTC)no subject
Date: 2009-04-16 06:04 am (UTC)Do you speak French at all?
no subject
Date: 2009-04-16 06:41 pm (UTC)I do speak some French, but not very well. I am best at reading, considerably worse at listening/comprehension, and atrocious as a speaker. I took French in high school and a little bit in college, and generally hated my French classes despite loving the language. I have enough French to understand references in articles and French quotes in books, and I can talk about la biblioteque et la discoteque et les sports. You know, school stuff. Do you speak it?
no subject
Date: 2009-06-03 12:36 am (UTC)The feel of #5 has been poking around in my brain and I've been searching trying to figure out where it was so I could comment.
I loved these all, and wonder if #3 is possibly a follow-on to #1? And the back story is good, if you could write them getting to the loving as grdnofevrythng suggested.
But #5 -- Your use of language reminds me of Gertrude Stein. She's not someone I can read in large heavy doses, but I always enjoy the sound and rhythm when I do. That same thing happened to me reading this. FTW!
oops, forgot to add...
Date: 2009-06-03 12:40 am (UTC)no subject
Date: 2011-08-08 10:10 am (UTC)